Creative Metaphor - Definition and Examples

Creative Metaphor s A creative metaphor is an original comparison that calls attention to itself as a figure of speech. Also known as a  poetic metaphor, literary metaphor, novel metaphor, and unconventional metaphor.  Contrast with conventional metaphor  and dead metaphor.  American philosopher Richard Rorty characterized the creative metaphor as a challenge to established schemes and conventional perceptions: A metaphor is, so to speak, a voice from outside logical space. It is a call to change ones language and ones life, rather than a proposal about how to systematize them (Metaphor as the Growing Point of Language, 1991). Examples and Observations Her tall black-suited body seemed to carve its way through the crowded room.(Josephine Hart, Damage, 1991)Fear is a slinking cat I findBeneath the lilacs of my mind.(Sophie Tunnell, Fear)The apparition of these faces in the crowd;Petals on a wet, black bough.(Ezra Pound, In a Station of the Metro)Yeatss Dolphin-torn . . . SeaThose images that yetFresh images beget,That dolphin-torn, that gong-tormented sea.(W.B. Yeats, Byzantium)- Although this last line is acutely visual, its three main items, dolphin, gong and sea are as much literal as metaphoric elements of the scene: the poem had begun with the cathedral gong ringing out over the sea, and had gone on to speak of the dolphins in the waters around Byzantium. Of course, dolphin and gong also stand for something elsethe vitality of the living animal, the majesty and authority of religion over the spirit, but they do this primarily as images. Direct metaphor is reduced to a subordinate position here, in the words torn and tormented, since neither of them can literally be applied to water. The first very vividly catches the force with which the dolphin leaps from and returns to its elements. The second communicates the extent to which that element is troubled by the demands of the spiritual.(Stan Smith, W.B. Yeats: A Critical Introduction. Rowman Littlefield, 1990)- By using metaphors, much more can be conveyed, through implication and connotation, than through straightforward, literal  language. Take the case of . . . that literary metaphor dolphin-torn: what exactly is Yeats suggesting about the sea, and how else could this have been expressed? Just as writers convey meaning more open-endedly when they use metaphorical language, readers interpret less narrowly than they would literal language. So meaning is communicated between writer and reader in a less precise way, even though the metaphors may seem concrete and vivid. It is this imprecision, this fuzziness of meaning, which makes metaphor such a powerfu l tool in the communication of emotion, evaluation, and explanation too.(Murray Knowles and Rosamund Moon, Introducing Metaphor. Routledge, 2006) Creative Metaphors Outside LiteratureThe chaotic category creative metaphor includes typically literary examples such as novel metaphors and poetic metaphors. The crucial question is, however, whether it is possible to extend this category beyond literary examples. If this is possibleand an examination of the terms creative and creativity suggests that it isthen it will be possible to find many creative metaphors even in political discourse which is, actually, not very famous for being creative.(Ralph Mueller, Critical Metaphors of Creative Metaphors in Political Speeches. Researching and Applying Metaphor in the Real World, ed. by Graham Low, Zazie Todd, Alice Deignan, and Lynne Cameron. John Benjamins, 2010)Communicating Through Metaphors- Even though our individual stories are different, we communicate through the common language of metaphor by embodying our ideas in images and details. By ruminating upon ourselves, we also conjure stories of others. By this acknowledgment of othe rs experiences, we address a whole range of social, political, and cultural issues.Its impossible to live every life, fight every war, battle every illness, belong to every tribe, believe in every religion. The only way we come close to the whole experience is by embracing what we see both inside and outside the window of the page.(Sue William Silverman, Fearless Confessions: A Writers Guide to Memoir. University of Georgia Press, 2009)- The ground of appropriateness for a new insight provided by a creative metaphorthe compelling condition of the new similarity, what suggests that it fitscannot be restricted to a complex of established perspectives. For it is this complex, or some part of it, that is challenged by the new insight.(Carl R. Hausman, Metaphor and Art. Cambridge University Press, 1989)   See also: MetaphorLove Is a MetaphorThirteen Ways of Looking at a MetaphorUsing Similes and MetaphorsWhat Is a Metaphor?

Creative Metaphor - Definition and Examples

Creative Metaphor s A creative metaphor is an original comparison that calls attention to itself as a figure of speech. Also known as a  poetic metaphor, literary metaphor, novel metaphor, and unconventional metaphor.  Contrast with conventional metaphor  and dead metaphor.  American philosopher Richard Rorty characterized the creative metaphor as a challenge to established schemes and conventional perceptions: A metaphor is, so to speak, a voice from outside logical space. It is a call to change ones language and ones life, rather than a proposal about how to systematize them (Metaphor as the Growing Point of Language, 1991). Examples and Observations Her tall black-suited body seemed to carve its way through the crowded room.(Josephine Hart, Damage, 1991)Fear is a slinking cat I findBeneath the lilacs of my mind.(Sophie Tunnell, Fear)The apparition of these faces in the crowd;Petals on a wet, black bough.(Ezra Pound, In a Station of the Metro)Yeatss Dolphin-torn . . . SeaThose images that yetFresh images beget,That dolphin-torn, that gong-tormented sea.(W.B. Yeats, Byzantium)- Although this last line is acutely visual, its three main items, dolphin, gong and sea are as much literal as metaphoric elements of the scene: the poem had begun with the cathedral gong ringing out over the sea, and had gone on to speak of the dolphins in the waters around Byzantium. Of course, dolphin and gong also stand for something elsethe vitality of the living animal, the majesty and authority of religion over the spirit, but they do this primarily as images. Direct metaphor is reduced to a subordinate position here, in the words torn and tormented, since neither of them can literally be applied to water. The first very vividly catches the force with which the dolphin leaps from and returns to its elements. The second communicates the extent to which that element is troubled by the demands of the spiritual.(Stan Smith, W.B. Yeats: A Critical Introduction. Rowman Littlefield, 1990)- By using metaphors, much more can be conveyed, through implication and connotation, than through straightforward, literal  language. Take the case of . . . that literary metaphor dolphin-torn: what exactly is Yeats suggesting about the sea, and how else could this have been expressed? Just as writers convey meaning more open-endedly when they use metaphorical language, readers interpret less narrowly than they would literal language. So meaning is communicated between writer and reader in a less precise way, even though the metaphors may seem concrete and vivid. It is this imprecision, this fuzziness of meaning, which makes metaphor such a powerfu l tool in the communication of emotion, evaluation, and explanation too.(Murray Knowles and Rosamund Moon, Introducing Metaphor. Routledge, 2006) Creative Metaphors Outside LiteratureThe chaotic category creative metaphor includes typically literary examples such as novel metaphors and poetic metaphors. The crucial question is, however, whether it is possible to extend this category beyond literary examples. If this is possibleand an examination of the terms creative and creativity suggests that it isthen it will be possible to find many creative metaphors even in political discourse which is, actually, not very famous for being creative.(Ralph Mueller, Critical Metaphors of Creative Metaphors in Political Speeches. Researching and Applying Metaphor in the Real World, ed. by Graham Low, Zazie Todd, Alice Deignan, and Lynne Cameron. John Benjamins, 2010)Communicating Through Metaphors- Even though our individual stories are different, we communicate through the common language of metaphor by embodying our ideas in images and details. By ruminating upon ourselves, we also conjure stories of others. By this acknowledgment of othe rs experiences, we address a whole range of social, political, and cultural issues.Its impossible to live every life, fight every war, battle every illness, belong to every tribe, believe in every religion. The only way we come close to the whole experience is by embracing what we see both inside and outside the window of the page.(Sue William Silverman, Fearless Confessions: A Writers Guide to Memoir. University of Georgia Press, 2009)- The ground of appropriateness for a new insight provided by a creative metaphorthe compelling condition of the new similarity, what suggests that it fitscannot be restricted to a complex of established perspectives. For it is this complex, or some part of it, that is challenged by the new insight.(Carl R. Hausman, Metaphor and Art. Cambridge University Press, 1989)   See also: MetaphorLove Is a MetaphorThirteen Ways of Looking at a MetaphorUsing Similes and MetaphorsWhat Is a Metaphor?

Creative Metaphor - Definition and Examples

Creative Metaphor s A creative metaphor is an original comparison that calls attention to itself as a figure of speech. Also known as a  poetic metaphor, literary metaphor, novel metaphor, and unconventional metaphor.  Contrast with conventional metaphor  and dead metaphor.  American philosopher Richard Rorty characterized the creative metaphor as a challenge to established schemes and conventional perceptions: A metaphor is, so to speak, a voice from outside logical space. It is a call to change ones language and ones life, rather than a proposal about how to systematize them (Metaphor as the Growing Point of Language, 1991). Examples and Observations Her tall black-suited body seemed to carve its way through the crowded room.(Josephine Hart, Damage, 1991)Fear is a slinking cat I findBeneath the lilacs of my mind.(Sophie Tunnell, Fear)The apparition of these faces in the crowd;Petals on a wet, black bough.(Ezra Pound, In a Station of the Metro)Yeatss Dolphin-torn . . . SeaThose images that yetFresh images beget,That dolphin-torn, that gong-tormented sea.(W.B. Yeats, Byzantium)- Although this last line is acutely visual, its three main items, dolphin, gong and sea are as much literal as metaphoric elements of the scene: the poem had begun with the cathedral gong ringing out over the sea, and had gone on to speak of the dolphins in the waters around Byzantium. Of course, dolphin and gong also stand for something elsethe vitality of the living animal, the majesty and authority of religion over the spirit, but they do this primarily as images. Direct metaphor is reduced to a subordinate position here, in the words torn and tormented, since neither of them can literally be applied to water. The first very vividly catches the force with which the dolphin leaps from and returns to its elements. The second communicates the extent to which that element is troubled by the demands of the spiritual.(Stan Smith, W.B. Yeats: A Critical Introduction. Rowman Littlefield, 1990)- By using metaphors, much more can be conveyed, through implication and connotation, than through straightforward, literal  language. Take the case of . . . that literary metaphor dolphin-torn: what exactly is Yeats suggesting about the sea, and how else could this have been expressed? Just as writers convey meaning more open-endedly when they use metaphorical language, readers interpret less narrowly than they would literal language. So meaning is communicated between writer and reader in a less precise way, even though the metaphors may seem concrete and vivid. It is this imprecision, this fuzziness of meaning, which makes metaphor such a powerfu l tool in the communication of emotion, evaluation, and explanation too.(Murray Knowles and Rosamund Moon, Introducing Metaphor. Routledge, 2006) Creative Metaphors Outside LiteratureThe chaotic category creative metaphor includes typically literary examples such as novel metaphors and poetic metaphors. The crucial question is, however, whether it is possible to extend this category beyond literary examples. If this is possibleand an examination of the terms creative and creativity suggests that it isthen it will be possible to find many creative metaphors even in political discourse which is, actually, not very famous for being creative.(Ralph Mueller, Critical Metaphors of Creative Metaphors in Political Speeches. Researching and Applying Metaphor in the Real World, ed. by Graham Low, Zazie Todd, Alice Deignan, and Lynne Cameron. John Benjamins, 2010)Communicating Through Metaphors- Even though our individual stories are different, we communicate through the common language of metaphor by embodying our ideas in images and details. By ruminating upon ourselves, we also conjure stories of others. By this acknowledgment of othe rs experiences, we address a whole range of social, political, and cultural issues.Its impossible to live every life, fight every war, battle every illness, belong to every tribe, believe in every religion. The only way we come close to the whole experience is by embracing what we see both inside and outside the window of the page.(Sue William Silverman, Fearless Confessions: A Writers Guide to Memoir. University of Georgia Press, 2009)- The ground of appropriateness for a new insight provided by a creative metaphorthe compelling condition of the new similarity, what suggests that it fitscannot be restricted to a complex of established perspectives. For it is this complex, or some part of it, that is challenged by the new insight.(Carl R. Hausman, Metaphor and Art. Cambridge University Press, 1989)   See also: MetaphorLove Is a MetaphorThirteen Ways of Looking at a MetaphorUsing Similes and MetaphorsWhat Is a Metaphor?

Recognize how group and social factors affect learning Essay

Recognize how group and social factors affect learning - Essay Example People who are under these conditions are often considered to be poor, impoverished, in low income, or broke (Wikipedia, 2006). Though in general poverty is defined as the lack of money, in a holistic definition of poverty it is the continuous denial of the resources, capabilities, choices, security and power essential for fulfillment of an adequate standard of living and other civil, cultural, economic, political and social rights. Poverty is a subjective experience and a structural deficit. There are several factors that influence education and one of the main reasons for it is poverty. There is a connection between poverty and the impact this has on childrens education. When a family is in poverty and fighting for its survival their childs education is not looked at as a high priority. Survival is the first priority. This doesn’t mean that parents did not care about their childs education, but they are not in a position to manage it. There is a spectacular change in the behavior of students as poverty level grows in school system. This behavior is brought on by the lack of parental commitment in their childs daily activities. Most parents may be working multiple jobs to get by and hence rarely see their children, but for some parents do not care to know what their children are doing on a daily basis. This leads to more pessimistic behaviors and also to poor grades. Poor parents may not have enough education to help students, when they are at home. Many students come to school with various worries about their lives, and learning is not at the top of the list. The living environment of these students has a lot to do with learning (WikEd, 2006). Despite these challenges education at all levels is promoted as a powerful resource to raise awareness, motivation and social responsibility for contributing to a more democratic society (Preece, N.D.). Education departments should not throw up their hands in failure. There should be additional

Recommendation of options that are available for Singapore Airlines Essay

Recommendation of options that are available for Singapore Airlines for their future strategy direction - Essay Example These services include variety of services ranging from cargo facilities to engine repairing packages as well. In this context, it can be stated that SIA has been implementing product development strategy with utmost concern towards its long run competency and sustainability. The major subsidiaries of SIA in this regards are the SIA Cargo, SilkAir as well as Tradewinds Tours and Travels among others. In addition, SIA has also been implementing the market penetration strategy by developing the products along with the offered services on a continuous basis. In this regards, SIA allows discounts of almost 50% on the â€Å"Exceptional Value Deals† during the holiday seasons focusing mainly upon the seasonal travellers (Kenny, 2009: 153-196; Kumar & Phrommathed, 2005: 50-97). However, in comparison to all the aforementioned strategies, SIA have been extensively concentrated on the diversification approach as its future strategic direction which is quite likely to influence a few noteworthy risk factors in relation to its operations. For instance, if a business organisation diversifies on a continuous basis and in an extensive way, it may result in increasing complexity at the operational level and likewise creating a negative impact over the productivity level of the company. Therefore, it can be advised that SIA should render equal importance to the product development strategies as well with the intention to fortify the product life cycle and simultaneously boost its profitability in the national as well as international market. This would facilitate SIA to develop its existing products and also aid the group to introduce new products for the current market. It is worth mentioning in this context that the company can also opt for market penetration and market development strategies. However, each of these strategic options is noted to possess certain limitations